TV Timecard and Sound Report Writer apps

Friday, December 16, 2011

Antenna Distribution Layout for 4 SRs

I've had a lot of questions about the layout of my antenna distribution system in my bag, so I've put this post together as an open-source project. If you have any suggestions or modifications, feel free to post in the comments below. The original idea was to have a sort of mobile cart setup to get the best attributes of a cart based system (i.e. robust RF, video feed access, etc.) with the mobility of a bag. The Octopack seems too bulky, and I didn't like the layout.  It's not ideal for every shoot, but it works well for most that I do. Plus, I carry my whips in the front pouch just in case.
Antenna Distribution Flow (click for larger version)

Ok, for the actual parts list, here's what I recommend for 4 Lectro SRs.  The hardware is a must, but you can make your own cables if you're handy and have time.

Required Stuff:
It's a mess right now, but it works well.
One of these for each side of the SR makes it work

Since it stays velcroed shut, I added female
BNC extensions for convenience
Choose an antenna type:
  • For Dipole Antennae: 2 #ACOAXBNC cable from Lectrosonics cut to your block (bag mountable)
  • For Shark Fin setup: 1 Diversity Fin from RF Venue at $399

Remote Antenna Cable:
  • 2 25ft RG8 coax cable at $170/each, but I use 2 25ft RG59 (shhh!) at just $5.50/each and I don't seem to have any issues.  I'm sure I'll get reamed for this one.
  • I also keep a 6ft. version in my bag for when I don't need/want all 25ft.





Optional:
The end of my BNC extensions coming out of the bag

  • 1ft. BNC extensions (SCB11983-XX) coming from inside your bag so you don't have to dig in everytime; it's just there on the side.  They're male on the end that connects to the UFM230 and female on the end that connects to the coax run.  I actually also have 2 hanging from my Diversity Fin permanently for convenience.  This way there are fewer weak points with no barrels needed.  My 4 were custom made by Trew and were a bit pricey, at about $50/each (ouch!!).  Not sure I would recommend that.
At the end of the day, this rig gives me powerful range while allowing me to set up and break down in tight spaces where it's essential to maintain a small footprint (i.e. Reality TV).  I went from pretty much living next to camera with all this strapped around my back, and now I'm able to jump in with ease for any fixes or communicate with production in Video Village.  Whatever your reasoning is for a system like this, good luck!  You're sure to enjoy it!!

Find Tyler Faison on Google+


Thursday, December 1, 2011

Stereo to Mix - HDX900 Tutorial

Camera ops often carry their own cans.  Sometimes it's a true mono earpiece, but more often than not it seems to be a pair of stereo earbuds with one end cut off.  They usually plug into the front headphone jack on a camera (on reality, it's most commonly an HDX900), which doesn't have easy access to select the kind of mix you want to send it.  So here's a quick reference guide to change the front headphone jack on a Panasonic HDX900 from a stereo mix to a mono mix.

Problem:  Camera op can only hear one channel.
Solution:  Go to the menu and give him both!

The monitor select switch on the side only controls the rear headphone jack, so we have to go into the camera's menu to make it happen.  It's easiest to just do this on a prep day.  I know very few camera ops that wear both sides of a set of stereo headphones, so this is typically a common problem that usually takes some exploring.

Step 1:  Turn on the camera and locate the Menu and Jog buttons.
Front of the camera, near the white balance button

There are two different buttons.  One turns and depresses and the other just depresses.

Step 2:  Press and hold both the Menu and Jog buttons for 3 seconds.  This will bring you to the main menu screen.  If you just press Menu once, a screen will pop up, but it's a different section of the menu.  You should be looking for the top-most directory, **** MAIN MENU ****.
MAIN MENU screen will pop up after pressing both buttons for 3 seconds

Step 3:  Navigate and select the MONITOR SELECT item  using the menu wheel to the MIC/AUDIO 2 page.  The path is MAIN MENU>VTR MENU>MIC/AUDIO 2>MONITOR SELECT.



Step 4:  The default setting is STEREO.  Select the item and change it to MIX.  Press the Menu button to exit and you're good to go.

Default is STEREO

Change to MIX and get the hell outta there!

Now your friendly neighborhood camera operator will be able to have both channels in each ear.  Whether they've cut or ripped off a spare pair you gave them or they just use one side of their iPod headphones, now they can hear the whole story instead of half.

Find Tyler Faison on Google+

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